Tag Archives: Frames
Bill has culled a selection of frames from his private collection to present at the Muscarelle Museum of Art at the College of William & Mary. The exhibit, “Frames: The Forgotten Art,” (on view through March 25, 2012) presents a selection of American and European frames spanning more than five centuries, from the ancient Byzantine to the contemporary. Bill will accompany the exhibit with a lecture on Friday, March 16 at 5pm, followed by a gilding workshop at 9pm.
The exhibition is in collaboration with friend and colleague Dr. John T. Spike, an art historian whose work, writings and educational practices have given him international recognition as one of the most influential specialists working in museums and academia today. On the Muscarelle’s board of directors since 2006, John was appointed as the museum’s Distinguished Scholar in Residence for 2011 and asked Bill to curate a frame show encompassing anything he would like. He saw our collection and simply said, “Put a show together.”
“Frames: The Forgotten Art” follows a similar path to many of Bill’s previous frame exhibits, which have aimed to introduce audiences to the importance and independent beauty of frames, as well as their integral relationship to the pictures they contain. Bill was the first historian to put together a show of American frames, titled “Frames in America, through the Institute of Architecture in 1981, and his work since then has reflected similar historical agendas.
The frames in this show are Bill’s personal favorites, largely pulled from his private collection. Among others, exhibit highlights include the dark woods and strong geometric patterns of the Dutch Old Masters from the seventeenth century, and three original frames designed especially for distinctive works of famous 20th century artists: Diego Rivera, Thomas Hart Benton, and Franz Stuck. (Before plain white molding was invented, modern artists loved designing their own frames for their works.)
One of the masterpieces in the exhibition, if you ask Bill, is a towering baroque mirror frame with sculpted figures of gamboling putti on all four sides. This work, which once adorned the entrance hall of an Italian palazzo, was lent by the author and Virginia resident Mark Helprin.
Space is very limited for the gilding workshop, so sign up quick! To sign up or get lecture details contact Amy Gorman, Curator of Education & New Media at the Muscarelle, at Museum@wm.edu, or 757 221 2703. Or visit the Muscarelle Museum of Art online.